ARTIST PROFILE

Jana Bernartová

  • Czech Republic (b. 1983 in Liberec)
  • Currently in Praha, Czech Republic.
  • Jana Bernartová examines the relationship between the virtuality of the digital space and its material transitions into the world of things. She observes the principles and possibilities of presetting and standardization and their possible failure.
Default Settings

Default Settings

  • 2017
  • installation, Altán Klamovka Gallery; monitor, digital printing on paper 150 x 150 cm, plotter diameter 15 cm

  • The exhibition Default Settings in the Altán Klamovka Gallery tests the possibilities of interpreting the digital color. The different shades of the blue color are a result of the type and quality of a displaying device.

  • 03 jana bernartova vychozi nastaveni altan klamovka
  • 01 jana bernartova vychozi nastaveni altan klamovka
  • 05 jana bernartova vychozi nastaveni altan klamovka
  • Red Like Ferrari - thumbnail Remediation - thumbnail Liquid Crystals R0G0B255 - thumbnail Ultramarin Extra Blue - thumbnail Default Settings - thumbnail R0G0B255 - thumbnail

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    Liquid Crystals R0G0B255 | 2016 - 2017

The exhibition Liquid Crystals R0G0B255 is a part of the eponymous project currently developed by Jana Bernartová which focuses on the issue of digital colors and their interpretation. Digital color is virtual in its very nature, and is therefore realized differently on different devices and different displaying methods. The relativity of existence of colors which may very well lack the Platonic essence of absolute ideas, being subject to changeability of the framework of perception (physiologically as well as due to cultural and language systems used, as was pointed out for instance by Ludwig Wittgenstein) is made even more evident in relation to digital transfer. The universal digital color expressed by means of unchanging code has, once it leaves the „black box“, various „incarnation“ which show various deviation from their perfect digital archetype. These deviations nevertheless cannot be seen merely as defects – as the author herself says: „Given the fundamental properties of a digital work as defined by the theoretician Lev Manovich, several versions of a work may coexist at once and be modular.“ Digital data, in its visual and non-visual form are to me a sort of alpha and omega – the central point of my interest.“ Therefore also in relation to digital media, the illusory concept of an absolute ideal is replaced by coexistence of a plurality of realized versions.