The Regulator installation, conceived for the Atrium gallery space, is a set of kinetic objects, mutually responding to each other and to the viewer, thus creating an overall interactive environment. What is important here is the interplay of sound, kinetic and informative components – as soon as the viewer enters the installation space, his presence and sonic activity arouse reactions among the objects. With his activity, the viewer can thus introduce certain rhythmic and sonic motif, and follow how it travels and transforms itself on its way through the “field” of objects. The viewer may observe how the system swings and reinstates itself in a new balance. Thus composed visual and kinetic environment offers us – its recipients – a variety of interpretation analogies: these are mechanical, or already “quasi-biological” processes, where we can see a new form of technologically developed art, witness a new techno-imagination, or are we already on the edge of a situation when art itself will be produced by apparatuses?