Gray

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  Gray | 2016 - 2017

I am dealing with the opportunity of radical painting's attitude in the area of concrete photography. I tried to paste monochrome painting's thinking into the medium what I use. Photography is not only about documantation. Furthermore I would like to show that the photograph is not completely reproductiable. I handle my work as a media theory proposition too. How does work the relationship between photography and painting nowadays? In the new media's century could be still painting the origo of finearts? Could be interpretable the concrete photography without knowledge of painting background.