The concept of landscape is an inherent part of my work. Unlike in the work entitled Artic Landscape, a generative programme copying the dynamism of the daily routine of dawn and dusk using and infinite curve of an imaginary horizon, yet Petri dishes, on the other hand, close a cluster of abstract shapes into a clearly defined frame. In this case, the adjustment itself does not represent a mere formal attempt to transpose the landscape motive to the gallery space in an unprecedented manner, but above all, it appears as another one of the artistic endeavours to create a set of composition elements with a fixed order on a variable foundation. Working with the scale, as a common illusive technique, encodes the minimalist shifts between universal image representation by means of developing a geometric rhythm, while paraphrasing the instruments of a biological experiment consequently striving for the same understanding of the world.