“This is the imaginational spirit of existence: everything is heavy with meaning and everything must be soothed. The spirit of existence in sin and atonement.”
Vilém Flusser
It is the ambition to create multilayered picture compositions that stands in the centre of my actions, which consist of the synthesis of event-debris, informel, hard-edge shape fragments and sometimes entirely banal momentums. The pictures examine the contaminating properties of hitherto unspoken contents in the memetic sense, so, when analyzing the surface of the paintings, we speak about none other, than the presence-demonstration of the current meta-subjective idea.
The result of my approach to art is the insertion of my personal world of sensations – as the rationally and verbally indefinable whole feeding on external impulses, into an individually communicative entity (piece of art), which is then, in the distress of articulation, moulded into picture modules. The inner image hence turned external is, on the one hand, built of the posteriority of recognition, and the psycho-mirror reconstructed from the present, on the other, that is, the perception of magical realms carrying the subject of trauma.
According to my worldview, the original position of human beings can neither be found in Nothing nor in Information, but somewhere stuck in between these two entities, in a state, called Noise, or in other words, in the stream of uncomprehended background messages completely disturbing meaningful enquiry. Therefore, information Noise, which overwrites physical reality in the imagination, and then, causes trauma in the course of perception, becomes the ultimate basic experience in the process of conceiving the image. The trauma pushes in two opposite directions: destruction and creativity. The possible messages, which bear the contents of the communicative entities, can be composed along this dichotomy.
All this – or the process, in which the shapes are turned into form - happens with incredible speed, or rather simultaneously: on a different – mostly not pictorial-emotional, but pictorial-intellectual level of consciousness sustained by particular environments, or spheres. Therefore, all shapes can disappear just as quickly as they came into being. The rightful claim for meta-subjectivity in this case, is the reference to transhuman recollection. Interestingly enough, this process examples my own approach to my creations. I seek to perform the optical destruction of my artworks by continuous rethinking (repainting, over-painting, and reassembling), in the course of which the older layers sink into the new ones. Retrospectively, it is a behaviour that only respects the intellectual value of the work, regardless of the – here manifest – finite autonomy of the surface.
By the continuous contextual changes, my installations create such a real form of imitation, – or form of existence – in which there is no determined and recorded time: my works never actually reach a completely finished state. By this means, the multi-time pictorial information – or the universal world of picture-modules created by the continuous reinterpretation of both material and spiritual basics – demonstrating the transition between the pictorial-intellectual sphere of consciousness and the physical environment is established.
Zsolt Gyarmati
PERSONAL INFORMATION
Homepage: http://www.zsoltgyarmati.com
E-mail: mail@zsoltgyarmati.com
Place of Birth: Nyíregyháza, Hungary; date of birth: 26 March 1968
EDUCATIONAL EXPERIENCE
1987 – 1991 Bessenyei György College Nyíregyháza, Hungary
Bachelor of Science
MOVIES
March 2009 DioxinDauer, Video Installation (5:32)
September 2009 Performance In Werk Academy With Szonja Lang (2:46)
April 2010 Hásómaci, Zsolt Gyarmati in Loffice, InExhibition Videoblog (4:24)
July 2010 Stereoid, On The Margin Of An Exhibition (5:10)
July 2010 Stereoid, InExhibition Videoblog (13:03)
September 2010 Metamorph Therapy, Video Installation (5:00)
September 2011 Traumaverzum – Book Launch, Videoblog (8:43
March 2015 Traumaverzum - Urban Art Therapy, Zsolt Gyarmati's Filmportrait (18:00)
ARTICLES, CRITICS, ADVENTS
April 2003 The Towson Times, Baltimore
December 2004 Playboy, Hungarian Edition
May 2005 György Galántai: Art Regained
December 2006 Gábor Rieder: Bricklounge – Criticism, Artportal
September 2007 Endre Lehel Paksi: The Exhibition as an Asylum, Criticism Műértő
October 2008 Endre Lehel Paksi: Demotett – MiniMonograph
December 2008 Culture House, Hungarian Broadcast Company
December 2008 Gábor Czene: Sacrilege, Criticism Népszabadság
Februar 2009 Port, Duna TV
March 2009 Short of Pictopia, ZDF
April 2009 Kata Krasznahorkai: Fear of Dead Things, Criticism Műértő
September 2009 András Réz: Botoxpolir
April 2010 Gábor Rieder: Panorama, BMW Magazin
August 2010 György Jerovetz: Stereoid, Magyar Narancs
September 2010 Playboy, Hungarian Edition (interview)
October 2010 Ábel Rásonyi: About a Creative Process (essay)
October 2010 Dániel Véri: The Archeology of the Popular Culture – About Zsolt Gyarmati’s paintings (essay)
March 2011 Alexa Csizmadia: Reflecopia (essay)
March 2011 Endre Lehel Paksi: Croptext (essay)
May 2011 Alexa Csizmadia: Pixelutioner (essay)
October 2011 Múzeumcafé: Exhibition of Hungarian Foreign Art Institutes
February 2012 Phasebook Project: Issue of Fusion Union
April 2012 József Mélyi: Activity, Criticism Műértő
April 2012 Lili Boros: Hyperpassive
May 2012 Kata Balázs: Guided Tour, Criticism Műértő
May 2012 HVG Business: Delivery Culture, Issue 2012/1
December 2012 Ábel Rásonyi: Signs of Time – Eschatology and Death Cult (essay)
Januaury 2013 Golden Section, Hungarian Broadcast Company
February 2014 Bettina Simon: Necromonicon, Criticism Magyar Narancs
April 2014 Norbert Vass: Demon's Cell Inside (Necromonicon), Új Művészet
October 2015 Zsolt Mészáros: Contemporary Catacomb (Prophets / Untrue Prophets), Criticism Műértő
October 2015 Interview at ArtGuideEast (Prophets, Untrue Prophets Exhibition)
September 2017 Endre Lehel Paksi: Hypermetropia, Műértő (Criticism)
April 2018 Márió Nemes Z.: Phobik Jungle, New Art Magazin (Criticism)
VIDEOBLOGS
February 2012 Let's have a trip to Zsolt Gyarmati's world! (2:38)
April 2012 Zsolt Gyarmati's exhibition at Holdudvar Gallery (2:31)
May 2012 Exhibition Hyperpassive at Sajtóház Gallery, May 2012 (3:07)
October 2012 Exhibition Kleintierklinik at Mono Gallery (2:22)
2013 Exhibition Paramoral at Prolouge Gallery (3:04)
February 2014 Latarka TV - Exhibition Necromonicon at Latarka Gallery (2:45)
February 2014 Report about exhibiton Necromonicon at kultura.hu (4:33)
March 2015 Traumaverzum Official Trailer – Zsolt Gyarmati's Filmportrait (00:38)