In her works memories of her childhood are collaged together in figurative painting, referencing the 90s pop culture she had and hand gestures she remembers from her mother growing up. Images sourced from the internet, antique objects and her own surroundings are digitally collaged together in an even further illogical sequence before carefully being distributed onto canvas in layers. Her paintings show a satire on death and focus on the loss of the figure, specifically the maternal role. An exaggerated loss of the figure is cohesive throughout her work, the hands becoming objective and making actions that are separated from the body, either coated in latex or as mannequins or dolls. A false world is portrayed through fluorescent tones of flesh painted on top of cropped whimsical interiors. Her paintings show layers of the mundane such as driving to school, tying hair, food or a piece of furniture. There is a suggestion of the surreal existence and further questions about her own reality in an effort to retrieve what is lost.