My work usually consists of two elements: the
figural suggestion and the abstractive language. Yet, figures were extreme
reducted, and presented in visual structure of form, color & texture. This
stems from my fascination with painting language, convinced that it can be
reached on the interpretation of the world, and self-cultivation as well. Image
clips, color and texture of painting generating a fact of painting language, things
thus becomes an illogically juxtaposited structure. It gives a pure visually
rendering strength on one hand, and constitutes a form of abstract landscape of
nothingness on the other. It stops narrative thinking and associations. This
visual confusion and misplacing, make paintings can not be interpreted based on
everyday experience, and therefore, reject the established interpretation.