My series was visually and technically started from Hiroshi Sugimoto’s Seascapes and Theaters. I was dealing with the change in the use and self-reliance of photography, which today is all about intermediality. For this reason, it is in conflict with stationary and motion picture, digital and analogue imaging, but mainly the depicting and non-figurative toolkit, and it is therefore important for me to embark on an apparatus that is now in everyone’s hands.