I record a segment of the visible space, a square, a room around me in 360 degrees as far as the eye can reach, and mark the viewpoints on the floor. This way of composition gives you a unique type of shaped object that changes in every moment with every movement of the recorder. It's not an objective method rather it questions the objectivity. It is a strategy to deal with the immediacy, indirectness and with the knowability of reality. As Topography /2 this project also deals with the differences of four different viewpoints of a space.